Golden Yellow (Caran d’Ache Pablo)
Cadmium Red Light (Soho Brand)
Turn the Icarus Board on high and work on the heated side of the board. It’s a good idea to have a thick cloth to rest your hand on so that you don’t get a mild burn. Work on sanded artist paper, such as UArt 600 or Fisher 400. Draw a simple line drawing directly on the sanded paper and lift any of the lines that are too dark with mounting putty. You may spray your line drawing with workable fixative so that it doesn’t smear.
1. SKY: Apply a heavy layer of Putty Beige, a light layer of Indigo Blue, a heavy layer of Cream and another heavy layer of Putty Beige. Brush over this with a medium wet brush with solvent.
2.SMALL DARK CLOUDS: Apply a medium layer of Cad. Red Light and go around the edges with Golden Yellow. Cover the center with Violet Blue and a light layer of Putty Beige over that. Blend all the colors gently, not mixing colors too thoroughly. With your brush, pull color, particularly the blended red and yellow out into the sky.
3. MASS OF LIGHT CLOUDS: Cover the whole area of light clouds with a heavy layer of Cream. Smooth and blend with a fairly wet brush and solvent. Go into the Cream with random areas of light applications of other colors-Golden Yellow, Putty Beige, Burnt Ochre and Cadmium Red Light. Then blend these area out into the Cream with a damp (not wet) brush with solvent and a gentle touch until you achieve the desired cloud effect.
4. LAYER OF DARKER CLOUDS: Lay down a heavy applications of Cream, then a medium application of Burnt Ochre and a lighter application of Cadmium Red Light. Blend these colors thoroughly with a medium wet brush.
Using a light touch and Blue Violet and Burnt Ochre, lay in the darker areas of the clouds, then with a damp/med wet brush, blend these in and spread the color out. With Cream, Cadmium Red Light and Golden Yellow, add bits of color to the lighter Cream areas and blend with a damp brush.
5. CLOUDS JUST ABOVE THE HORIZON: Lay down a heavy application of White, then Violet Blue over that. Put a light layer of Cadmium Red Light over these applications. With a wet brush, blend the layers together thoroughly. Blend this violet up into the previous layer of clouds.
Lightly add some touches of Cadmium Red Light and Golden Yellow here and there and blend them into the Violet clouds. If you feel the violet clouds are too dark, add some white, particularly next to the horizon and blend this with a damp brush.
6. TREES AND SAGUARO: Lay down a heavy layer of Marine Green, then go over that with a medium wet brush and solvent. Push the brush up into the sky along the top to create a ragged line to indicate trees and bushes. Add Saguaro as desired for a pleasing composition. With Limepeel, add light on the right side of the Saguaro and add light areas in the Marine Green to indicate trees and shrubs. Add Sepia under the suggestion of the trees and bushes and along the left side of the Saguaro. With a brush barely wet with solvent, brush lightly over the indications of the trees and bushes.
If not satisfied with color or shade, feel free to go back in and make adjustments. You may work over a wet surface, if desired.
The image is the piece Barbara Dahlstedt demonstrated at the January 14th meeting. It is drafting film with a wash of black colored pencil that has be smeared around with solvent. Then the image is of the flower is drawn by erasure.
1. Prepare drafting film by scribbling over the entire sheet with the black Prismacolor Stix.
2. Spritz a few drops of solvent over the entire sheet until it becomes liquefied and blend with a brush. This will be your ground. Allow to dry completely.
3. Trace your photo onto tracing paper to create a line drawing.
4. Using a light table and a MonoZero eraser, trace your image onto the prepared drafting film. If your ground is light, you may use a black Verithin instead, using light pressure.
5. Use a variety of erasers to lift out the light values. A blending stump may be used to blend your values slightly. The Mr. Clean eraser will take away the texture a lot, so be careful. Some texture left in your drawing is usually desirable.
6. Add darker values with the black Verithin and premier pencils.
7. Deepen your values on the back of the film.